The General Services Administration (GSA), Public Buildings Services (PBS), has officially awarded six individual $30 million Nationwide Laser Scanning IDIQ Contracts to the following firms (source: https://www.fbo.gov/spg/GSA/PBS/PHA/GS-00P-09-CYD-0137/listing.html):

• Stantec Consulting Services
• Quantapoint, Inc.
• Pharos Consulting, LLC
• Coign Asset Metrics & Technologies, LLC
• Beck Technology
• Architectural Resource Consultants

Some firms were awarded contracts in their specific region(s) and others were awarded a contract covering all of the GSA regions.

Congratulations to all! These firms include some of the most talented individuals in 3D laser scanning. It will be interesting to see how much work actually comes out of this contract and how it will impact the laser scanning industry. Be sure to follow us on Twitter to get the latest updates on this monumental contract award.

(Norcross, Ga., 03 September 2009)  District Attorney Joe Mulholland of the South Georgia Judicial Circuit added yet another legal case reference to the growing number of U.S. court cases in which Leica Geosystems 3D laser scan data has been admitted into evidence when he successfully proffered and tendered to the jury a visually compelling Leica TruView.

During the murder trial of Antonio Jerome Greenlee in Decatur County Superior Court, witness and crime scene investigator, Andy Forte of the Thomas County Sheriff’s Department, used Leica TruView to virtually place the jury at the crime scene and to show them how the homicide could have occurred.  The case stems from the homicide of 21-year-old Ebony Clarke of Bainbridge, GA, who was shot and killed on August 12^th, 2008, during a street altercation between two men.

Leica TruView is a free, web-enabled panoramic point cloud viewer that allows users to view, pan, zoom, measure and markup the incredibly rich point cloud captured by the Leica ScanStation 3D laser scanner.  The Leica ScanStation allows investigators to first photograph and then make millions of measurements of a crime scene in just a few minutes thus “freezing the scene in time” forever.  A Leica TruView data set can then be generated in minutes after scanning for briefings or analysis or as in this case as a jury exhibit.

“The jury really, really liked it and we had jurors comment afterwards about how effective it was” said District Attorney Mulholland.  “We not only used the TruView to support Andy’s testimony, but the judge then allowed Andy to show it again during my direct examination of other witnesses as I asked them questions about where they were standing or where the shooter was.  TruView is basically a high-tech picture.  It is not testimony.  It is offered as an exhibit and demonstrative evidence.  This seemed to play well with the judge.  The Defense did not object and I think that they thought the same thing.”

Mulholland went on to say that after the trial the judge called him to the bench and commented on how effective the use of the Leica TruView was and encouraged him to use it again.  “We certainly plan on doing so.  The scanning software was absolutely fantastic” said the D.A. The judge also contacted Thomas County Sheriff R. Carlton Powell to thank him for his agency’s assistance with the case and to compliment him on the professional nature of the exhibits generated by his investigators.   Sheriff Powell was instrumental in bringing ScanStation technology to Georgia law enforcement and has made it available to the Georgia Bureau of Investigation and other agencies as a courtesy.

“The Leica ScanStation has been the choice of police and sheriff’s departments, state patrols, crime laboratories, prosecutor’s offices, coroner and medical examiners and tribal justice agencies” said Tony Grissim the Public Safety and Forensic Account Manager for Leica Geosystems.   “The high volume of traffic we are seeing on our web site at www.leica-geosystems.us/forensic is an indicator to us that word is really getting around within the law enforcement community.”
Leica Geosystems – when it has to be right

With close to 200 years of pioneering solutions to measure the world, Leica Geosystems products and services are trusted by professionals worldwide to help them capture, analyze, and present spatial information. Leica Geosystems is best known for its broad array of products that capture accurately, model quickly, analyze easily, and visualize and present spatial information.

Those who use Leica Geosystems products every day trust them for their dependability, the value they deliver, and the superior customer support. Based in Heerbrugg, Switzerland, Leica Geosystems is a global company with tens of thousands of customers supported by more than 3′500 employees in 28 countries and hundreds of partners located in more than 120 countries around the world. Leica Geosystems is part of the Hexagon Group, Sweden.

For further information please contact:

Leica Geosystems Inc.
Andre Ribeiro
Director of Marketing
Atlanta, GA 30092
Phone:   +1 (770) 326-9557
Fax:         +1 (770) 447-0710
Andre.ribeiro@leicaus.com
www.leica-geosystems.us/forensic

Tonight an email went out from Paris Marshall’s office stating the following:

“The General Services Administration (GSA) has completed its review of initial proposals submitted in response to the subject solicitation for the National 3D Laser Scanning Services project.   This is to advise you that your proposal was evaluated as being one of the most highly rated, and your firm has been selected for an interview in connection with this procurement.”

Short-listed firms will be interviewed the week of August 10, 2009. Still no word on the number of firms on the short-list. If anyone knows, please post here.

Officials have announced a project to digitally preserve Mount Rushmore National Memorial as part of an international project digitally preserving World Heritage Sites and monuments. Attending the announcement Friday were, from the left, Michael Russell, Scottish Culture Minister; Ben Kacyra of CyArk, a nonprofit organization, and; Gerard A. Baker, Mount Rushmore superintendent. NPS photo by Steve McEnroe.

Written by Kurt Repanshek

Digital mapping. This relatively new technology is a boon to archaeologists and preservationists. It’s already been employed at Mesa Verde National Park, and now plans are in the works to digitally map the focal point of Mount Rushmore National Memorial.

Mount Rushmore officials are partnering with CyArk – a U.S.-based non-profit organization that pioneered the digital preservation (3d laser scanning, modeling and archiving) ofWorld Heritage Sites and monuments, – and the Culture Minister of the Scottish Government. The partnership’s task is the 3D digital recording of Mount Rushmore. This project is expected to provide, for the first time, a visual documentation of this internationally important memorial in South Dakota.

“We have discussed a commitment to pursue a truly pioneering partnership with CyArk and through them, the Scottish Government, RESPEC Engineering, Wyss and Associates, and the South Dakota School of Mines and Technology, to take advantage of truly innovative opportunities in digitally recording, preserving and managing our historic resources,” explained Gerard Baker, the memorial’s superintendent.

“While Mount Rushmore is a national icon in the U.S., there is expertise in other countries which can assist us to preserve it in a modern context. Therefore, we have identified international partners with technical expertise and commitment who share our vision to expand Mount Rushmore’s and the National Park Service’s ability to offer more interactive interpretive, educational and research programs while enhancing our preservation and security capabilities.

By Lieca N. Hohner, Chief Editor SparLLC

Our industry never comes short in the innovation department. HKS Inc., headquartered in Dallas, Texas, proves this—it’s turned “regular” point clouds into game-engine quality. Here’s the story. And then read on for some amazing display solutions.
HKS, Inc.’s Pat Carmichael, manager of the Advanced Technology Group, began investigating point cloud scans as a way to achieve high-quality as-built information for the company’s architectural geometry applications used for schematic design (most often Revit). The team realized many benefits using laser scan data, including the ability to obtain data not manually possible, draw while acquiring field data, gain highly accurate data comparable to total station data, and to collect immense amounts of data in rapid time. Point clouds are the bread and butter of rapid model acquisition, Carmichael said in his presentation at SPAR 2009.
HKS scan data captured from subcontractors’ scanners are used in HKS’ home-grown product called BIMMIT, an evolving spin-off product from their real-time game-engine product ARCHengine that has been in development for more than 10 years and that which enhances Revit models. BIMMIT is usually coupled with HKS’ proprietary ARCHengine for real-time display of the resulting 3D BIMMIT/Revit models, which can be between 8 million to 30 million polygons depending on their use on a laptop or desktop.
To illustrate the awesomeness of this melding, consider the W hotel in Dallas. The final model of the pre-constructed hotel designed by HKS was used to show city officials how the hotel’s sight lines would affect the downtown skyline so valued by the city. It was also used to sell out the associated condos prior to construction, as developers could take prospective buyers virtually up to their windows to show the views from their units. This same concept was used for the Ritz-Carlton twin towers in downtown Dallas; the presentation helped to pre-sell approximately 85% of the Phase One units in about six months—even in this down market, Carmichael said.
HKS used aerial lidar from the city to set elevations, some of which are photographically textured. HKS also flies with a RED ONE digital camera, which shoots in 4K resolution, whereby they extract high-resolution textures rapidly for application with the aerial lidar geometry. Most of the building models come out of Revit.
With these incredible design tools, HKS also performed a design review on the seating in the new American Airlines sports arena. HKS showed staff, team owners and other investors how seats would articulate and rise for a hockey or basketball arena and specifically how they would affect viewlines. On the new Dallas Cowboys Stadium in Arlington, Texas, HKS took the collected field scan data, structural data and drawing data—and all site views from all 89,000 seats, scoreboards, etc., into ARCHengine. To check the models during construction, HKS used a total station to get information from point to point. In the desktop models of the ARCHengine tools, everything is georeferenced with lat/long/elev, which gives the team dimensional data.
“It’s a serious design tool,” Carmichael said. “It’s a serious communication tool to the clients/users/vendors, all the other suppliers, and a bunch of other people participating in the design process.”
Carmichael says the next version of ARCHengine version 3 will tie individual objects to a reporting structure, in line with 4D business strategies that tie in time, space calculations and scheduling. He said HKS Advanced Technology Group is also working with Intel on the high-end multi-processors to be able to react more quickly to a cluster of cores for simulations.
Those involved in sports stadium, government, military or GSA work will be interested in HKS’ Advanced Technology Group solutions.
To see an interactive map of the seats in the new Dallas Stadium with panoramic images generated from ARCHengine, click tohttp://www.dallascowboys.com/tickets/newstadiumInteractiveMaps.cfm

Digital Imaging, Holographic Style

Zebra Imaging, Inc., provider of holographic display technologies, has taken visualization of LiDAR and laser scan data sets to a new level. Users in the geospatial, AEC, automotive, medical, oil & gas, military and other arenas can view a topographical data set in full parallax, full color and without any glasses or goggles. “Seeing LiDAR and laser scanned data volumetrically expands its utility and value,” said Michael Klug, Zebra’s CTO, at this year’s SPAR 2009. Government and commercial uses seem endless.
Zebra’s solution graduates a physical display to digital holography by reconstructing a 3D image in space using film-based displays and illumination. The 12-year-old company founded by graduates of the Massachusetts Institute of Technology’s Media Lab has cut its teeth by aiding the military and law enforcement with displays that assist planning and after-action efforts, situational awareness and training.
It’s pretty cool stuff—a far, FAR cry from the hologram stickers I collected as a little girl. Klug describes the process as being more like burning data to a disc rather than a printing process. From a pair of GeoTiffs (one being a DEM, the other a geotextured map), Zebra’s proprietary Imager burns the pattern into photopolymer film with intersecting laser beams and produces an A1-size (594 × 841 mm) monochrome hologram that can be produced in CAD, GIS, medical imaging, oil & gas, etc., formats in 1-millimeter hogel size—about a pixel. Process time is about three hours. An average A1-size monochrome (green) hologram costs about $2,500. Full color and replication is available, and Klug says high-speed development will be available by Q4. Klug claims Zebra’s solution is similar or lower cost compared to other market alternatives today, and that it is more transportable and usable with full solid parallax 3D.
Zebra has produced more than 6,000 LiDAR-based holographic displays for military use in Iraq and Afghanistan since 2006. The 2×2 ½-foot maps provide warfighters with a common communication tool to get a common operating picture of an area of interest without language or cultural obstacles. Klug said they’re easily transportable and durable and, later, shreddable.
Focus on AEC Market
In the last two years, the company has developed a new product line for the AEC realm. Attention focuses on geospatial context and all phases of design, BIM documentation, and communications and marketing.
Currently, Zebra is defining a styles guide and a CAD tool API plug-in-based interface available from a drop-down menu in Revit, 3DS Max and Google Sketchup (at first, then others). Klug says the creation of a wizard is a bit complicated for Zebra since they render with in-house tools to manage 64,000 to a quarter-million views of a scene within two hours. So, they’ve created a render-quality selection where the user can select a point cloud, a simple-shaded rendition of a data set, a textured data set or a photo-real selection (which customizes the job). Orders are returned in A-frame and horizontal format (each of which delivers different results) and include a lighting component.
The Creation of Dynamic Displays
In 2004, Zebra was sponsored by DARPA to create a program for dynamic 3D displays for interactive graphic-intensive applications.  The dynamic displays would be easy to view, have 360-degree visibility, be electronically updated in real-time, be modular and scalable to 6×6 feet, and offer horizontal, vertical and inclined orientations. To date, they’ve established a 1-meter diagonal prototype modular display of 8-inch square tiles with an image volume that occupies about 1 foot of space. It directly plugs into OpenGL-based applications and updates at 10 Hz. Pilot production and beta phase of this display is expected next year. Klug said any rendering feature a user can see on a 2D screen can be produced in the hologram, including translucency, transparency, reflection, etc.

Uses for these displays include, but don’t appear to be limited to, spatial, project and industrial process planning, land development, event security logistics, emergency management, heritage preservation, forensics presentation and construction progress monitoring.

Source: http://www.rapidcityjournal.com/articles/2009/05/23/news/local/doc4a1702bb8841b911374516.txt

Officials at Mount Rushmore National Memorial have added new tools in the constant effort to preserve the national icon.

While crews traditionally use silicone sealant, fracture-mapping techniques and other technology to preserve the faces, they have added laser scanning and digital mapping to tools use to keep the 68 year old in good condition.

Duane Bubac, director of cultural resources and facilities at Mount Rushmore National Memorial, said the mapping project will give the National Park Service detailed information about the features of Mount Rushmore. And the data could later be used to create virtual, up-close tours of Mount Rushmore.

In the past, maintenance was mostly a once-a-year event. Each fall, rope-access crews descended from the top of the memorial to inspect the granite and caulk the surface cracks. The fall maintenance work still takes place every September, Bubac said, but it’s now part of a much larger, year-around effort to monitor and preserve Mount Rushmore National Memorial.

“The process involves a lot more than sealing cracks now,” Bubac said.

Under the National Park Service long-range preservation plan, crews are fracture-mapping and crack-mapping the granite surface. They are also removing vegetation, cleaning and sealing cracks, removing hazard rocks and testing the next generation of sealant materials.

Mount Rushmore’s biggest threat is water. It seeps into cracks, freezes and expands. That freeze-thaw cycle could eventually degrade the surface of the granite. Dirt and vegetation could also be a threat. If dirt can accumulate in a small hollow, it gives opportunist weeds, bushes or trees the foothold they need to take root.

By Adam Sheppard
Source: http://blogs.nasa.gov/cm/blog/chrisckemp/posts/post_1242080940877.html

In October 2006 I was sitting in my office at Microsoft trawling through a backlog of email and voice messages. It had been a busy couple of months leading up to the Technology Preview of Photosynth at San Francisco’s Web 2.0. We’d brought the house down with our on stage demonstration of Photosynth’s ability to take a large number of digital images and automatically assemble them into a high resolution, 3D environment that anyone could explore at home from within their web browser.

Around the same time, Chris Kemp (Currently CIO at NASA Ames) had just joined the Agency and was leading their business development efforts to seek out new and emerging technologies coming out of the private sector that could help NASA’s mission. He had seen the Photosynth demo and was eager to learn more about what he’d seen. He was full of ideas and saw the potential for Photosynth to bring the public closer to the space program than they had ever been before. They could follow in the tracks of the Mars Rovers, see every nut and bolt of a shuttle on the launch pad and experience first hand life onboard the International Space Station (ISS). At Microsoft Live Labs we were bringing some of the top computer scientists in the world together with talented engineers to explore new ground on the web. We couldn’t have asked for a more kindred spirit than the men and women of NASA who, through their own genius and engineering skills, were exploring our universe for the benefit of mankind.

Throughout 2007 we began planning and experimenting with images provided by NASA. Together with Microsoft Researcher Drew Steedly (one of our lead scientists on Photosynth) we visited Kennedy Space Center as preparations were underway for Shuttle Endeavor STS-118’s mission to the ISS. Chris had arranged unprecedented access to for us to photograph and document the Shuttle as tiles were being replaced, in the Vehicle Assembly Building, and on the launch pad itself. We were really eager to get some aerial shots of the shuttle awaiting launch, and Drew was lucky enough to sit with a SWAT team in one of those ‘Men In Black’ NASA helicopters as they flew a security fly-by around the shuttle on the pad, producing some amazing 360 degree shots we would later include in the synth. (video)

For the launch itself, we sat with the families of the astronauts, and one couldn’t help but remember the footage of the Apollo missions with people watching from the same bleachers as their loved ones journeyed to the Moon. A few days later, back in Seattle, we were proudly sharing our unique stories with our colleagues, when a call came in that had us jump into action. Since the Columbia tragedy occurred three years prior, many new safety procedures were instituted to help ensure the safety of the crew. One such measure was the detailed inspection of the underside of the shuttle from the ISS using both photography and a laser scan to assess any potential damage. Some damaged tiles had been found on Endeavour while in orbit and NASA was scrambling to make a decision on whether they should attempt a repair. During our previous discussions with NASA engineers, the idea of using Photosynth for safety procedures had been discussed and this was the perfect test case for us. Each tile is unique, carefully cut and individually serial numbered before being adhered by hand to the underside of the vehicle. Typically a specialist would have to trawl through thousands of close up images, cross-referencing against plans to visualize where on the shuttle the particular tile was. To help the specialists, we took all the images downlinked from the ISS while it was still in orbit, and used Photosynth to reconstruct the bottom of the shuttle, automatically placing the images together. We were all amazed at the results as we zoomed into the damaged tile. And while the decision had already been made to proceed without a repair, the value of this new technology had certainly been demonstrated.

Shortly afterwards I found myself at NASA headquarters in Washington DC demonstrating the synths to the Associate Administrator for Space Operations, William H. Gerstenmaier. He immediately saw the potential to share life onboard the ISS using Photosynth, and we soon found ourselves on our way to NASA’s Johnson Space Center in Houston to help train the astronaut on creating a full-size synth of the International Space Station. (video)

As we worked with the astronaut trainers, we soon realized that there were some unique challenges to consider in zero gravity. For example, Photosynth makes some assumptions on which way is ‘up’, but when you’re floating in space there is no ‘up’. With barely enough room to stand up, and every available space full of equipment, we also had to consider what technique would best capture both the panoramic views and detail shots that would lead to a successful synth. Towards the end of the day we got to meet some of the astronauts being trained on emergency procedures on a life-sized mockup of the Shuttle and finally had the chance to sit in a real Russian Soyuz capsule also used for training.

Needless to say it was my life long dream to be crawling through a space station and meeting the men and women who work tirelessly behind the scenes at NASA.

I personally moved on to other projects mid 2008, just when the flight plan for the new ISS Photosynths was coming together. All I can say is the resulting synths have turned out better than I could have ever imagined. I’m delighted to think that somewhere there’s a child exploring them right now who will one day walk on the surface of the Moon or even Mars.

By Gautham Nagesh 05/22/2009
Source: http://www.nextgov.com/nextgov/ng_20090522_7519.php